Hisayasu Satō
Rate Person

Hisayasu Satō

Directing

Biography

Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.

Films Featuring Hisayasu Satō

I Stand Alone - SEX & LOVE

19962.0

Cross the Lens

2006

Japanscope, panorama de la nouvelle Nouvelle Vague

2015

In The Sea of Trees

Tokyo Elegy

19993.6

Autumn

2016

Groper Train: Final Stop

19862.0

Crying Rope, Missing Black Hair

Crying Rope, Missing Black Hair

19832.0

Hometown Porn Girl 18! Seeding Festival

Hometown Porn Girl 18! Seeding Festival

19842.0

Young Wife Assault Pervert

Young Wife Assault Pervert

19822.0

Female Prisoners: Brutal Treatment

19844.3

Delivery Wife: Get Wet!

Delivery Wife: Get Wet!

19842.0

Pink Physical Examination

19854.0

Wakazuma Misshitsu Bôkô Jiken

19852.0

Chikan densha: Iyarashii kôi

19935.7

Groper Train: Start at the Back

19872.0

Zetsukin gyaru: Yaruki munmun

19854.0

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato

2026

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

2026

Cruising Love Story

19912.0

Lost in the Bedroom: An interview with Kyôko Nakamura

2026

I'm Being Watched: An Interview with Hisayasu Sato

2026

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3

2026

Revenge in S&M: An Interview with Hisayasu Sato

2026

Escape 3: An Interview with Hisayasu Sato

2026

Lord, Have Mercy: An Interview With Hisayasu Sato

2026